Thing collection observation
POETRY
ISSUE I
2025From the bed there I awake. Light refracted from the window—
two distinctly colored
mullioned apparitions
guarding (hiding? showing)
something behind which…
Joel gets up before me. I am often following
some cue from another’s world
overlapping with my own
subset of belongings. Mementos from a few and far between
experiences…The vintage vase
we bought and loved which flowers mother over…
I pinch an anther & take pleasure in it…
Egg pollen sack. The floorboard’s pure black crack…
I get on my knees for a better look
& stick my fingernail in
a band bound round a bag of chips
next to our postcard fridge
a bowl made of aluminum. The concave image is
a single banana with spots all over it & the candle’s black wick unlit
& our piano in the basement where I like it
& the world
that says everything—every thing so important?
Of all the things you gave to me
the best one I received was a music education. Day in & out
I play the piece Beethoven pledged to Haydn. In Leipzig or Stadt Wehlen
just outside of Dresden
we helped Frank tend to the orchard—
apples, plums & red currants—
& clear the sheep stall of their useful excrement. Using everything
gives me pleasure, seeing something to the end
measure by measure. I traveled for my lessons
grateful for the teacher who subsidized my thirty minutes.
She pointed out the details
to be expressed much deeper. I remember in particular
a Rêverie by Debussy. She had me give it time
to breathe, one note to another possibility. The melancholic melody
seemed to open for a moment
some thing you could enter through a nexus—is that something written?
I was asked do you dream
in this or that language and how relaxed, how much room is there
to say what you want? I thought there was
correct and not-behavior, that nothing was created
just uncovered pre-existing
rules enforced frameworks. However(,) impossible(,)
desires were fulfilled
in the night
forms grew wings, and crucially, men were where they shouldn’t be…
I just write what I see—
the candle from this morning is still blowing in the cross breeze
and in the span it takes me
to finish this, it blows out
a magic trick one two three of not no thing but a dream
an involuntary scene (I couldn’t express
anything yet) I was concerned with how to say things
grammar was too ordered for
a singular impression
Felix Torres
Writer
Issue I, 2025
Felix Torres is a writer based in Brooklyn. His work can be found in independent publications like /Oroboro/ and /La Piccioletta Barca/.